Substitute Dominants n.3 in Whole Tone Modulation (Based on the Andalusian Cadence) Ruben Diaz

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A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. In other words, tritone substitution involves replacing V7 with ♭II7 (which could also be called ♭V7/V, subV7, or V7/♭V . For example, D♭7 is the tritone substitution for G7.




Ex.1/ 02:23 Em
Ex.2/ 17:33 Em + F#m
Ex.3/ 12:44 Em + F#m + G#m
Ex.4/ 00:01 solo 1
*Ex.5/ 01:04 solo 2
Ex.6/ 01:04 solo 3




Solea and Secondary Dominants for Creative (6)
https://youtu.be/u1TGeaoykuw

Bulerias and Secondary dominants 1
https://youtu.be/ONLH-3QSCfY

Bulerias and Secondary dominants 2
https://youtu.be/FQSxUb7IE24

Substitute Dominants 3 in Whole Tone Modulation
https://youtu.be/qZKqFC8YzIQ

Substitute Dominants 4 in Whole Tone Modulation
https://youtu.be/KWr3BYxmaxA

Substitute Dominants 5 in Whole Tone Modulation
https://youtu.be/2tY6of_gimU

Bulerias and Secondary dominants 6
https://youtu.be/e8CmpsX3apQ

Bulerias and Secondary dominants 7
https://youtu.be/Bi4JEq_t6ro

Bulerias and Secondary dominants 8
https://youtu.be/UYK-j_2YYqw