Exploring the Innovative Cinema of Shane Carruth 🎬: A Deep Dive into Time and Space

Digital Storyworlds Final Video Essay <br />By Paul Gleeson <br /> <br />I have read and I understand the plagiarism provisions in the General Regulations of the University Calendar for the current year, found at http://www.tcd.ie/calendar. <br /> <br />I have also completed the Online Tutorial on avoiding plagiarism ‘Ready Steady Write’, located at http://tcd-ie.libguides.com/plagiarism/ready-steady-write. <br /> <br />Helpful Guides/Explanations: <br />1. https://www.youtube.com/watch?v=tUzy-xPf0MI <br />2. http://www.indiewire.com/2013/04/the-upstream-color-cheat-sheet-10-things-that-might-help-you-understand-shane-carruths-beguiling-sci-fi-epic-spoilers-39706/ <br />3. http://www.chud.com/136124/interview-shane-carruth-upstream-color/ <br /> <br />Music: <br />Shane Carruth - "Leave Expanded May Be Prevailing Blue Mixed With Yellow of the Sand" <br />Shane Carruth - "Copies of Copies" <br />Shane Carruth - "You’re Talking about Making a Bigger One" <br />Shane Carruth - "It’s Like It Sings" <br />Shane Carruth - "A Low and Distant Sound Gradually Swelling and Increasing" <br />Shane Carruth - "As If It Would Have a Universal and Memorable Ending" <br /> <br />Clips: <br />Upstream Color (Shane Carruth, 2013) <br />Zodiac (David Fincher, 2007) <br />Primer (Shane Carruth, 2004)