Concerto alla Rustica in G Major, RV 151 -- Antonio Vivaldi (1678-1741)
San Francisco Conservatory of Music Baroque Ensemble Concerto alla Rustica in G Major, RV 151 -- Antonio Vivaldi (1678-1741) Presto, Adagio, Allegro Corey J...

San Francisco Conservatory of Music
283.9K views • Apr 16, 2013

About this video
San Francisco Conservatory of Music Baroque Ensemble
Concerto alla Rustica in G Major, RV 151 -- Antonio Vivaldi (1678-1741)
Presto, Adagio, Allegro
Corey Jamason and Elisabeth Reed co-directors
Violin
David Andai, concertmaster Purcell
Noémy Gagnon-Lafrenais, concertmaster Vivaldi, Corelli
Patrick Galvin
Lucy Greenleaf
Chen Lin
Nicole Nutting
Yanghe Yu
Shanshan Zeng
Viola
Vijay Chalasani
Joseph Hundley
Violoncello
Emanuel Evans
Laura Gaynon
Joanna Neuschatz
Sarah Stone
Double Bass
Xiaoshu Hou
Theorbo, Baroque Guitar & Lute
Caleb Clement
Adam Cockerham
Christopher Hague
Harpsichord
Michiko Murata
Eun Pak
The Conservatory Baroque Ensemble marks a milestone this fall as it begins performing exclusively and entirely on period instruments. With a full complement of baroque bowed and plucked strings, woodwinds, a French double harpsichord on the way, and new baroque reeds, Historical Performance Program Director and ensemble co-director Corey Jamason says with understated pride, "We join the ranks of a select group of American schools offering the opportunity to study period instruments."
Concerto alla Rustica in G Major, RV 151 -- Antonio Vivaldi (1678-1741)
Presto, Adagio, Allegro
Corey Jamason and Elisabeth Reed co-directors
Violin
David Andai, concertmaster Purcell
Noémy Gagnon-Lafrenais, concertmaster Vivaldi, Corelli
Patrick Galvin
Lucy Greenleaf
Chen Lin
Nicole Nutting
Yanghe Yu
Shanshan Zeng
Viola
Vijay Chalasani
Joseph Hundley
Violoncello
Emanuel Evans
Laura Gaynon
Joanna Neuschatz
Sarah Stone
Double Bass
Xiaoshu Hou
Theorbo, Baroque Guitar & Lute
Caleb Clement
Adam Cockerham
Christopher Hague
Harpsichord
Michiko Murata
Eun Pak
The Conservatory Baroque Ensemble marks a milestone this fall as it begins performing exclusively and entirely on period instruments. With a full complement of baroque bowed and plucked strings, woodwinds, a French double harpsichord on the way, and new baroque reeds, Historical Performance Program Director and ensemble co-director Corey Jamason says with understated pride, "We join the ranks of a select group of American schools offering the opportunity to study period instruments."
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Views
283.9K
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2.6K
Duration
4:31
Published
Apr 16, 2013
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